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Esther: For Such a Time As This (Esther)
 
01:01:20
For details about this sermon and for related resources, click here: https://www.gty.org/library/sermons-library/80-392 To receive John MacArthur’s monthly letter, as well as free resources by mail, click here: https://www.gty.org/home/newtogty Facebook: https://www.facebook.com/gracetoyou Twitter: https://twitter.com/gracetoyou Google +: https://plus.google.com/+gracetoyou Copyright © 2012, Grace to You. All rights reserved. Read our copyright policy here: https://www.gty.org/about#copyright
Просмотров: 94348 Grace to You
Las 10 Mejores Peliculas De Denzel Washington
 
02:09
Top 10 Las Mejores Peliculas De Denzel Washington https://www.facebook.com/top10peliculas https://twitter.com/top10peliculas Ranking de peliclulas de Denzel Washington completas, top 10 peliculas Denzel Washington mejores estrenos de Denzel Washington, las peliculas mas taquilleras de Denzel Washington. El protector - 2014 Philadelphia - 1993 Tiempos de gloria - 1989 John Q - 2002 El libro de Eli - 2010 Malcolm X - 1992 Día de entrenamiento - 2001 Titanes, hicieron historia - 2000 American Gangster - 2007 El fuego de la venganza - 2004 The Equalizer - 2014 Glory - 1989 The Book of Eli - 2010 Training Day - 2001 Remember the Titans - 2000 Man On Fire - 2004 Te invitamos votar tus favoritas en el ranking de las mejores peliculas de Denzel Washington. Pagina oficial de IMDB: http://www.imdb.com/name/nm0000243/ Pagina oficial de Wikipedia: http://es.wikipedia.org/wiki/Denzel_Washington
Просмотров: 365718 Ranking De Peliculas
Suspense: I Won't Take a Minute / The Argyle Album / Double Entry
 
01:29:31
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
Просмотров: 192341 Remember This
Calling All Cars: A Murder / Life, Liberty and the Pursuit of Parker / Murder on Eddy Street
 
01:28:22
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD
Просмотров: 11856 Remember This